1545 c/o Jay Coral


Dialectics of Passion


Michelangelo after the completion of The Conversion of Saul, 1545, Vatican Palace


Thesis

This is for You, G-O-D. This is for you St. Paul. Don't even look at me! Holy are your ways after your errant past. This is for Nature, following the heartbeat of the moth ready to be consumed by the fire. This is for Art, i am nowhere near of being blinded. This is for Religion, i would have died of unworthiness but my sinner's faith kept me alive! This is for my legacy, if only people won't remember my man-cries. This is for the people, the church and the cross i made for myself. This is my conversion.



Antithesis

I am old. If life taught me anything, it is that i choose to be a perfectionist grump. I have mastered the anatomy of the dead and heard the joys and anguishes of the undead, characters biblical, mythological and real blasting my core to capture them. Oh teach me, oh trap me, their voices and stares forging shapes and synapses, my skill be their triumph. Slave to work, slave to art, ceaselessly uncouth for my Muse. Damn the apprentice who miss the crease on Moses' lower left leg! Talk to me Laocoon, you deserve a hammer for hiding your shame! Oh Holofernes, i will make sure i serve your severed head in Eden! The devil watches. He relishes abstemiousness, to suffer for being short of wants and needs, to drink piss-water instead of wine, to sleep on the floor instead of a cot, i suffer more, he conquers more. The angel tugging, the devil pushing, this medieval cleansing. Bridled me this passion, the all-tying rope in my neck, for i work to serve and live to love but always, always, wallow to please myself.



Synthesis

Be it blessing, be it curse, i am ensconced as Sisyphus rolls that rock up, the going, the going, the going, promethean to the x power. The summit i will reach, the laudamus i will hear, the guilt i will quench, and then Gravity, as the devil pulls a fast one, his masterpiece, among spurious devices. Nature's remorseless swing, i am at your mercy!

1544 c/o Kevin Dunfey


Charles V.


"I'm gonna count to 1-2-3 and when I come out there better be a marshmallow out there. Enough of this you kids are hiding. There better be whole a new idea out there for me." Boy could he guffaw. After a clever ringle-dingle, stuff he'd call out and shit, there was more in store for blubbery button pants besides what they used to call him than you better believe in. And you better believe him. Everybody knew. Everybody was in on the joke.

People say Charles invaded whole countrysides. "Charles would haul off and finish entire paragraphs if that suited him," if that's not good enough for him either then fuck it. Whatever ain't good enough ain't good enough for him. Things suited him. And that's just the way it was. When stuff happened he wasn't flipping around. Charles mistook his up for his sound advice from a friend: bing-bang-boom there you go there you had it it was done when Charles walk in the room huh.

"I'm gonna romp and stomp. Here's the way stuff gets broken sometimes on the way in from where you're going, right? What'd I just say? You couldn't dare me not now you don't get going on this doing going to do whoop de doo. Stop cleaning your bedrooms! Stop the boat!" This would go on for hours. Charles knew how to barge his situation into any second-hand conversation. "Getting the job done," he'd say. "Getting it done." I'll show you getting it done. Get it done. There's no telling Charles. "Hey Charles," you'd say. But he wasn't hearing it. "But most common-folk don't understand me." There was too much to do around the house for this shit. Who was refilling the coffee filter, huh? Who had the fucking guts in this house near-a-days?

Charles' big freckles weren't getting any prettier. Who was gonna tell him that? You gonna tell him that? Not so smart when you're thinking now are you? And you thought you was gonna tell Charles? "Charles is sick of taking the car to the shop." Charles got the whole 5th grade on his side and AIDS. Little Billy, Sally, Undiehead and Bobby from down the street all knew which corner to stand in. He'd take those kids handstanding. Call em honey cakes. Golden honey cakes sweetened with sweety frosting sucrose and sugary spices in line to find out what's up, cutting me off and stuff. "Baby sweetness, make that boob smacking sound with your lips again," I'd tell him. "I'm making sounds," Charles would say afterwards, making silly faces, his eyes closed.

But listen lady, listen. I know you didn't come over here for all of this. We all got too much time for this. Bottom line always was we don't care; yours is mine is yours is mine but it's all gonna end up Charles'es'sses'. This is all besides the point. You don't know Charles. He just came in from the backyard.

1543 c/o Brittany Wallace


the scientific revolution


this morning my mother told me
"you are not the center of the universe"
she paused and then told me
to finish all of my cereal, to grow strong
my father sat behind the newspaper
the front page read "the earth
is no longer the center of the universe."
today is the day of the sun, i think
today is not mine or the earth's
or even god's, because
the men of science are writing books
about cutting apart human bodies,
and assembling skeletons,
and now i am supposed to believe
that when my heart moves inside of my chest,
my blood comes spilling out of it.
i am not the center of the universe.

1542 c/o J. Bradley


February 14, 1542


The pike holds Catherine's head like an inverted exclamation point. I watch for the women who stare into her eyes, calculate what kind of love would be worth wearing the guillotine like a cheap brooch.

I've gotten really good at plucking married women like posies, their necks nesting all of my promises until they sour into bruises, before broken bottles teethe their faces and breasts. After that happens, I kiss them like a Dear John letter; I still can't remember my real name.

Before this day is over, I will find another wedding ring to orbit, another woman to leave buried in a shallow notch.

1541 c/o Brendan O'Brien


Loose Lips


Besnik is a Gypsy of impressive proportions that just ran very far, very fast. He is wobbly as a one-legged stool and can taste the coppery tinge of blood on his cracked lips. His lungs scream for oxygen so he stops to rest his hands on his knees. Giant plumes of breath leave his lungs evaporating into the cool night air. He tries to spit but the thick green mucus just dangles from his lower lip, spinning. He goes to the ground and puts his half-frozen face on the earth. He lifts his head as branches snap and canines snarl in the distance. The familiar screams of friends and family echo inside the woods and make his neck hairs stand straight. He does not have much time. Two minutes. Maybe three. Then the bloodthirsty townspeople brandishing hissing torches and double-barreled shotguns will be upon him.

The forest’s guts are blacker than a charred kettle bottom and Besnik knows that covering himself with mud will help outlast the hunt. If the previous gypsy hunts are indicative of tonight’s pursuit, they will call off the dogs come daybreak. Besnik works his trembling fingers through cool swamp mud turning it into a mushy, bean-like past. He applies the adhesive in a smooth layer all over his body and covers himself in leaves. Next, he struggles to roll over a giant log lying across a small ditch that will fit him perfectly.

As he works he thinks about how fast the Gypsy Laws have passed, almost quicker than his clan can move. 1536, Denmark. 1539, France. 1540, Flanders. They are hated because they are different. What a foolish concept, he thinks.

Somehow Besnik believed Scotland would be different. He sensed serenity in the easygoing nature of the townspeople. He envied the way the community spent their days - women in white bonnets and children in knickers locking elbows and dancing while the men played giant bagpipes, everyone acting as if this was the very reason they were put on earth.

However, now lying in a ditch covered with cold mud and moldy leaves he regrets ever going with those rosy-cheeked Scots the day before last. He regrets clinking pint glasses and downing the tart brown elixir in easy gulps. At the time, Besnik laughed at how their giant Adams apples had bounced and how the white bubbles of foam stayed stuck in their bristly red beards. Now, he regrets telling these men about the hunts conducted in Denmark and France. Drunkenly he revealed precious details about how the most-effective hunts were conducted shortly after the last orange embers of the night’s final fire had died. He sensed sympathy in the way the Scots stroked their beards between thumb and forefinger, the way they patted his back and sang songs.

He had been wrong.

Above him the earth starts to shake as horses pound the ground and the hounds sniff. The brilliant orange torches light up the night and seem to encircle him like flaming, floating heads. Besnik shuts his eyes and tries to quiet his breathing. Even though he deserves the severest of beatings he is certain the next place will be better if he can just make it to morning.

1540 c/o Antony Grow


Why We Set Our Hair on Fire.


We Are: imminent and proud and far and few between. Out of our houses and apartments and rivers and mountains, we gather in groups and celebrate. We come out of our families, our jobs, our educations, and our retirements. When you see what we do, you will feel as if you are naked in front of someone. Yes, it is beautiful.


We Are Not: you, but we are you, but we are so unlike you. We have no anthem or music, but we have breath and we breathe. We are human beings. We are humans being. We are free.


Becoming: it’s simple really. I have seen people do it several ways, but the most common practice involves coating your scalp and surrounding area with a thin layer of petroleum jelly. Those that are newer to the experience will usually overcoat themselves because they have not yet extinguished the fears that setting your hair on fire usually affords. These are the people that can still only focus on the future, the ones that live comfortably in not knowing what tomorrow will bring, but find solace in the fact that a tomorrow is there. You don’t see them twice because it wasn’t joy they were searching for. Most don’t understand what joy even is. It is mistaken for happiness and freedom when in fact it is something with far more weight. Imagine the heaviest thing in between your arms. Now imagine more and it feeling wonderful, excruciatingly perfect. What they mistook for joy was actually discovery, and when what they found has been discovered, they can only turn around and go back and start all over again. Now they will have something interesting to say at a dinner party, something to say around the water cooler at work, but inside they will still be unhappy and their search will continue. The small scar on their forehead or the patch of missing hair will act as a reminder of a moment in time when they understood and then forgot it again.

When I discuss what I do with people, the first question usually asked is: Are you not afraid? Do you not fear? And I say no, I am not. No, I do not fear. The experience is one that when described sounds less than it is. It’s something that has to be seen before the true concept can be understood. There is sometimes yelping and dancing from the excitement. All Fire-heads seem to do it differently, but there is the universal run that takes place. I have yet to see anyone simply stand in one place as they set their hair on fire, but the pattern of running changes with each person.

Some run in what could be described as a figure eight. Others simply go every which way until it is over and they ponder what all the fuss was about. Sometimes you will meet people that just run – one straight line – into oblivion. You never see them again. Once their hair has been ignited, they will turn around and run in the opposite direction and they never come back. The next time that people gather for this, they will be there. You ask them, where did you go? And they reply, I just ran. I just ran and ran.

There are those that we call The Organics. These are the ones that live like hermits until their day. They grow their hair out so long that one wonders what kind of living they make for themselves that permits them to do so. When the day comes they don’t concern themselves with safety or showmanship. They pin their hair up into a makeshift bun and ignite it. Most Fire-Heads wait until the designated time and place every year in order to have some sort of camaraderie in the experience, but Organics will do it at any time, ignoring all social mores. These are the ones that also make the local news or are arrested for causing public disturbances.


I have heard the accounts of some Fire-Heads that say afterwards, they were able to hear the birds sing. Some say that food is better and that their sex is richer. I’ve heard one man say that even paper feels wonderful. When he pays the bills, when he types reports at his job, he can stop and feel the paper in between his fingers and it feels wonderful like the softest skin. There are people coming from everywhere with these feelings (I recently met a man from as far as Taiwan).

The first thing you will notice is that you will stop getting angry. Arguments become those which are beneath you, that you simply don’t understand the purpose of anymore. There is also a friendliness that begins to come from inside of you. You want to be friends with everyone and people seem to want to be friends with you. You will have the feeling of a magnet as if you are the center of everything. Things seem to rush at you from every direction and you are there, calmly, with open arms accepting it all.

1539 c/o Stephen O'Toole


Introducing Pigs to North America


The night of the thing.

Pigs is giddy. She's taking clothes from her wardrobe, holding them against herself, twirling. Twirling the appropriate number of degrees so her face and front are in the mirror; so her eyes are there. Either of those ways. The meaning's the same.

The twirling is irritating. I'm starting to think I've made a mistake.

The mistakes she makes she drops at her feet. Kicks them to one side. Errors in colour, length, sleeves, that sort of thing. A pile of clothes that don't work; that she won't need now. Later, I help her. We carry them out to the bins, and make a bonfire. Expect this is symbolic, but then I have Spanish blood; am something of a misogynist.

I go to the back bedroom, text North America.

'I think I've made a mistake', I say to him

Flames quite high now. Birds look troubled and children have gathered. Sticking their hands into the flames, trying to get a brassiere.

'Still time to cancel', I say instead.

I delete this, say, 'Still time to cancel', then add an exclamation mark and an ';)'. Delete the ';)'. Add an ';)'. Send it, then rue my ';)'; rue it.

Listen: I live with Pigs but I'm not in live with Pigs. I'm standing in the back bedroom, thinking about burning North America. Sticking him with something hot.

North America is Australian. We went to the Art School together, though neither of us are artists, are anything. He has grey hair that he dyes grey, usually over the bath. I have stood in the bathroom doorway, looking at his neck. Putting his beard together in my head.

I'm in love with North America. He is—one word—a Renaissance man. He can, and does, do many things. At once. I know. He can hold my attention and still do just about anything else at the same time: drink, breathe, blink, swear, think about someone else. I've watched him do it. It's remarkable.

He has piercings that people can see. On the earlobe typically, but often on his nostril. He has a long nose attached to the earring, to the nostril, and so on. Might describe it as a 'probing' nose, a 'controversial' nose. He would like it, North America, if it was described like this. He spent a summer as a shepherd; is immune to criticism; came to our fancy dress party (theme: the famous dead) dressed as me.

'You've only ever been partly warm', he explained.

(It was stronger on theme than execution. Big laughs, obviously, but none of the clothes fit.)

Pigs giggled and he looked at her. One of five Lady Dis, I hadn't noticed her standing there. She was looking too, looking at him. It was towards him that her giggles were directed, and I was just getting in the way. Both of me. Me, and North America dressed as me. She wanted to tear the me off him, and have him, with me in a pile next to them. The outgrown me lying there, kicked to one side, waiting for a bonfire.

(This, I thought of later. I am thinking of it now. It was never so neat as this then.)

I introduced them like a fool. I mean that I introduced them foolishly. My way of going about it was the way a fool would go about it: wearing a paper hat to keep the rain off, for example.

'This is my North America', I said. The possessive just stood there, stuck in; a flag with my face on it wobbling at the top. I tried to push it down further into the ground. I thought that if it went in far enough, it would be invisible. The claim that I had made.

(Imagine that we are on a mountain top. We have climbed all the way. We are alive and have not eaten ourselves. I take my flag and turn to them, say, 'I'd like to take this mountain into my mouth. And love it. Love until it is raw.' The other two just look away. They are whistling on the balls of their feet, then whistling on the heels of their feet, then again on the balls of their feet, and so on. They are doing it to keep warm, and give no indication that have they heard me.)

I just sat and sulked in a stovepipe hat. Watched Pigs dance for North America's mouth. Watched her start the steering wheel round her neck spinning. I watched and sat and pushed my hat back until River Phoenix spoke to me.

'Lincoln isn't famous for being dead', he said. 'He's just a famous person who is dead.' River Phoenix clenched his fist.

'But he was murdered', I said, sitting forward.

'Lincoln was a man of many achievements. His being murdered was just one of them. You have misunderstood me; you have misunderstood the theme of this party; you have misunderstood everything.' He took a sip of something from a small paper cup.

'I am the host of this party', I said.

'It's no thing at all', he said, crushing the cup in his hand, 'to misunderstand your own party.'

Bits of a burnt child sprinting across the grass. The bits I can see through the smoke. An arm held high with a smouldering floral print dress wrapped round it. A pair of cotton underpants on a head. Shouts.

North America hasn't answered me. I dial his number to tell him that he hasn't answered me. It rings out. I think he has just missed me, has got to his phone and is holding it. I dial his number again. I think about him staring at his phone. I am standing behind him and his neck is red. He has just shaved his neck in my head. He's annoyed that he has just missed my call. It feels like the ache where the hair of his neck once was. He wants this, North America. I give North America what he wants.

I give it to him again, and then again.

He returns it unopened. It is sitting in a pile in the hall. Pigs kicks it on her way out the door.

1538 c/o Barbara Park


Heavenly Sovereign


Hunger, born of salt and baked sunlight.

Children with distended stomachs buried their hope in dry seeds and dry earth and dared the re-birth of grain.

Mothers would not speak of the years when their hair shined and their faces glowed.

Fathers sang songs, buried children and hid fear.

The sky refused to weep.

1537 c/o Wes Schofield


Asunción



Today we founded a city. We found a city. It was found. It is found. Founded.

The foundations were laid and parameters set. Maps will be made. Establishmentarian guidelines met. All this will be accomplished through no shortage of effort from the participating factors, yet always simply, quietly, efficiently, surrounded in love and character.

Asuncion will be her name. Named after her mother, the virgin, to whom we all pray and owe the greatest portion of ourselves for without her there would not have been and if that had not had been then we could not have seen and without our eyes we could not have found the city that lay beneath our feet waiting to be drawn up from the dust, ascending towards the heavens.

We will be populous with the ones who know their own dreams. Dreams glimpsed between the buildings and the street. Behind the shop doors and inside the homes where live our burgeoning families. We make bread and drink wine. These will be Sunday rituals for centuries. There will be no laws to govern our traditions. We will act in accordance to what pleases us with ease.

Do not come if you shelter any doubts. Leave all that you do not know on the shores you leave behind. Only the faithful will survive here. We are no longer waiting. The Assumption has arrived.

1536 c/o Helen Dring


Nowhere to run to


We should have been safe here. That was the first thing I said to Clara once we reached the other side of the border: we're safe now. Along with I'll protect you and no-one will hurt us. I remember feeling her slumped into my arms, tired from the journey and half exhausted anyway from the worry of leaving. I told her things that I believed. I never thought they would come here, too.

We never would have converted. Even if we were caught, if we were questioned, if we were tortured. But of course, that's very easy to say when you have not been caught. I knew I had to get Clara away from there before they reached us. It was our home there, Leon. I was born with Castilla in my veins, not Israel. If I had to die for a country, it would be Spain. But not any more. Not since Alvaro.

Alvaro wasn't my father, but he was the one who raised me. He was the man who taught me what it was to be a sephardim, why we were chosen as we were. Alvaro was quiet, gentle, unassuming. He worked at an orphanage, which, of course, is how we found each other. It was Alvaro who taught me to make sure no one stole my food, who told me to bite my tongue and forgive the ones who tormented me.

But I will never forgive this. Not the way he was plucked wordlessly from his post, the way he just disappeared and never saw us again. Never saw anything again. Those who preach of love and prayer, of mass, are the most heartless of all the people I have ever seen. The ones who stole my country, who stole Alvaro.

That's why I moved Clara. The journey across the border was breathless, wordless. None of us wanted to think of what would happen were we caught. Porto, when we saw it, was green and fresh – a new hope after a dark hole. I thought we would all be safe here. I promised her.

Now we are back at the start. Hidden in the back room of an old house, Clara's head resting on my lap, her hands rubbing over the tautness of her stomach. This was not what I wanted for her, for our child. I never thought it would happen here, too. I kiss her gently on the head and pull her closer. All we have now is this space, these moments. Waiting to be caught. Waiting for it to end. Then, we will be safe.

1535 c/o Cami Park


Last Meals of the Saints


St. Frank sops gravy, forks greens along with beans and rice, crisps chicken skin between his teeth, dribbles the grease down his chin, and there is nothing, now, between him and this meal, and nothing, anymore, between now and those same meals long ago before anything happened, before anyone did anything, and when he is finished he is full and warm and he thinks nothing is going to happen now and no one is going to do anything and this is what it feels like to be safe, unsinful, and in the favor of the Lord.

St. Dobie has no hard feelings against anybody. Twelve candy bars, one for each disciple of Jesus. And ice cream, because the Mother Mary is cold, but good, and they told St. Dobie he could have what he wanted and this is what he wants. Mother Mary and the Apostles. Candy bars and ice cream, God bless, God bless y’all.

St. Earl has heard stories.

St. Angelo is allowed to keep his seedless grapes after passing over his tray clean of breadstick, salad, coffee. He is popping them into his mouth when St. Frank is walked by, helmeted escort surrounding him like bowling pins. St. Angelo bites down, shakes his head. Damn, these grapes are good.